By Katharina Donn
The Sept. 11 assaults introduced large-scale violence into the 21st century with strength and feature come to epitomize the entanglement of intimate vulnerability and digital spectacle that's regular of the globalized current. This publication works on the intersection of trauma stories, have an effect on concept, and literary reports to provide noticeably new interpretive frames for interrogating the demanding situations inherent in representing the preliminary moments of the terrorist stumble upon. past the paradigm of nerve-racking unspeakability, post-9/11 texts reveal the materiality of the human physique in its common vulnerability. The intersubjective empathy this engenders is politically subversive, because it undermines the discourse of ancient singularity and exceptionalism through setting up a world community of reference and discussion. leading edge theoretical interconnections among scientific pathology, ideas of cultural trauma, and political aesthetics lay the principles for exploring officially and geographically diversified texts. shut readings of works through Jonathan Safran Foer, paintings Spiegelman, Don DeLillo, and William Gibson map the connection among representations of September 11 and complicated facets of trauma conception. This specific technique makes a case for revisiting trauma concept and bringing its Freudian origins into the digitized current. It showcases trauma as a actual and mental wound in addition to an adventure that's concurrently pre-discursive and inhibited through the virtuality of the present-day genuine. Exploring how modern trauma reports can keep in mind the digitization and virtuality of present-day realities, this publication is a key intervention in developing a latest ethics of witnessing terror.
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A Poetics of Trauma after 9/11: Representing Trauma in a Digitized Present (Routledge Studies in Contemporary Literature) by Katharina Donn
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